Reporting from Phnom Sruoch, Cambodia
Peace has not been kind to practitioners of the 2,000-year-old tradition, which holds that magic tattoos can make you invisible, divert bullets and boost your net worth.
In a haze of incense, clients approach Kol Sambo and humbly request his help, sometimes seeking rush jobs for an imminent crisis. He listens and asks why they require added force. If he thinks they'll abuse the power, he turns them down "in a nice way."
Kol is a practitioner of magic tattoos, a 2,000-year-old tradition some call the "soul of the nation." They can make you invisible, divert bullets and boost your net worth, he says, but only if you believe.
The 50-year-old has traveled the Cambodian countryside for the better part of two decades decorating people's bodies with gods, geometric patterns, supernatural creatures and characters in Sanskrit and Pali, the liturgical language of Theravada Buddhism.
Some images appear to move as the wearer's muscles ripple; on others, rounded Khmer script, softened by age, appears to melt as the lines grow fuzzier.
Kol says most clients prefer the more efficient made-in-China tattoo machine he bought a few years back, but, if asked, he still will use the traditional method to ink the skin: two or three sewing needles tied together.
Once applied, by whatever method, a tattoo must be blessed to activate its supernatural powers.
There are "fake" magic tattooists out there, Kol says disdainfully. He was born with the talent, he says, and honed it after becoming a monk and retreating into the mountains to meditate, ponder visions and study ancient texts under a spiritual master.
Grateful clients will periodically return, having survived a war or two, and offer thanks.
Chan Ngeuy, 60, a rail worker who was a soldier during the 1970s, took off his shirt to reveal a line of lacy symbols running the width of his chest, down the outside of his arms and the length of his back bracketing his spinal cord.
"I was shot at, but the bullet missed," he says. "My tattoo made all the difference."
Peace, however, as welcome as it may be to Cambodians after decades of bloodshed, is not a friend of the magic tattoo business.
"During wartime, everyone wants one," says Kong Taing Im, 38, a store owner visiting Kol hoping to safeguard her grandchildren's future. "Without war, mostly gangsters want them."
Nowadays, a tradition that migrated from India centuries ago and endured through numerous Cambodian wars and rulers is being chipped away by technology and an education system that encourages people to be literal-minded, says Miech Ponn, advisor on mores and customs at Phnom Penh's Buddhist Institute.
"Traditional tattoo artists are very few these days," the scholar says. "It's like a living museum."
This spread of modern skepticism is rather shortsighted, argues Cambodian heavyweight kickboxing champion Eh Phuthong, a national hero who credits the supernatural imagery spreading over his muscular body and onto his right fist for his winning record.
"Magic tattoos make me feel more confident, focused, allow me to punch harder and avoid my opponent's blows," Eh says, sporting a phoenix, a symbol of rebirth; the Hanuman monkey king, a force of life, agility and learning; and Vishnu god imagery, meant to provide strength. "They really work."
But even Eh says he's getting more snickers lately from young boxers who shun a practice once considered de rigueur for up-and-coming fighters.
Cambodia's few remaining magic tattoo artists these days tend to work in rural areas, where superstition is enduring, education less common and medical care limited.
Believers say the indelible marks, favored by soldiers, boxers and businessmen, ward off evil. They've also been something of a dead giveaway. During the mid-1970s Khmer Rouge reign of terror, when 2 million people died, the brutal regime targeted anyone who had been associated with the ousted government, many of whom were posing as farmers.
"Not many men with magic tattoos survived," Miech says. "If you had one, you were probably a soldier from the old regime and promptly executed."
It's not enough to simply get a magic tattoo. You must also tend its power. "It's like a mobile phone," says Chan Trea, 46, one of the few magic tattooists still operating in bustling Phnom Penh. "Without maintenance, it won't work."
To keep a tattoo's power, one should shun adultery, alcohol, insulting opponents while fighting them or eating star fruit.
Star fruit?
"Since ancient days, it's well known that people with tattoos or talismans should not consume this fruit," he says. "If it wasn't true, the warning wouldn't last so long."
These days, Chan Trea supplements his income with fashion tattoos.
"If I was only doing magic tattoos, I'd go broke," he says, leaning on the battered dentist chair his customers settle into for their needling sessions.
Magic tattoos are traditionally applied to the part of the body in need of protection, with anti-landmine tattoos placed on the legs, anti-fever tattoos near the heart. Sometimes, however, even the tattooist doesn't understand what he's applying.
Chan Trea says that a few weeks ago a monk asked him to tattoo a particular pattern but refused to say what it meant.
"In Cambodia, there are lots of secrets. People guard things jealously," he says, unfurling a copy of the mystery pattern he furtively kept.
Tattoo artists say women rarely indulge, partly for aesthetic reasons and because they fear they may be mistaken for prostitutes, but Kol sometimes blesses women's perfume bottles, protecting their aura that way.
"These foreign women wearing big tattoos, that looks rather strange to us," said Kong, the grandmother.
(Actress Angelina Jolie recently had a magic tattoo done on her left shoulder blade meant to protect her and her Cambodian son, Maddox, from bad luck and accidents. The translated Pali incantation reportedly reads in part: "May your enemies run far away from you; if you acquire riches, may they remain yours always.")
Cambodia's few remaining magic tattoo artists recognize that they're fighting an uphill battle but say they haven't lost hope.
"Granted, more and more people believe in rationality, technology and the Internet," Kol said. "But, you watch. As soon as the next war or crisis hits and they need us, they'll come running back."
Flower Butterfly Tattoos – Beauty, Purity, and Symbol Of Love,
Flower butterfly tattoos are a popular choice among the girls. A butterfly tattoo means rebirth or transformation. It can also be a spiritual significance as life after death. Some see it as a symbol of divine love and freedom. The flowers also have a number of complex and deep meaning. Each type has its own flowers. For example, the lotus, like the hibiscus flower is traditionally regarded as a symbol of love and desire is alienated empty, accepted. The lily has several meanings specific to the type. A Calla is the virgin modesty and beauty. The water lily symbolizes purity of heart. My favorite, the daisy, which innocence.
Flower butterfly tattoos can be very flexible, sexy and seductive.
You may experience either as an integrated model to emulate this wonderful spectacle of nature, or you can separate them makes it unique. You can choose to spread the wings of a butterfly on your lower back, leg, or add a little bit like a design on the ankle and floral vines. Would allow for the full integration of tattoos, butterfly flower, the common choice are the lower back or even a full back design. They would also look good in the abdomen, thighs, and even hip.
Flower butterfly tattoos are easy to adapt to fit the body shape of feminine perfection.
Otherwise, they are both very colorful and very hot and can search with almost any color. When together, they show the natural process of attraction of a butterfly on a flower. It would be very conspicuous and interesting for both.
Flower butterfly tattoo is a symbol of love, purity, beauty. It can mean the search for meaning and significance in life, or it may be a statement that it is ready to run the world and tackle the bigger challenges of life. But how you interpret, you can never go wrong with flower butterfly tattoos, they are part of nature and are certainly not out of fashion.The art never goes out of fashion, and it is a beautiful part of who you are.
Flower butterfly tattoos can be very flexible, sexy and seductive.
You may experience either as an integrated model to emulate this wonderful spectacle of nature, or you can separate them makes it unique. You can choose to spread the wings of a butterfly on your lower back, leg, or add a little bit like a design on the ankle and floral vines. Would allow for the full integration of tattoos, butterfly flower, the common choice are the lower back or even a full back design. They would also look good in the abdomen, thighs, and even hip.
Flower butterfly tattoos are easy to adapt to fit the body shape of feminine perfection.
Otherwise, they are both very colorful and very hot and can search with almost any color. When together, they show the natural process of attraction of a butterfly on a flower. It would be very conspicuous and interesting for both.
Flower butterfly tattoo is a symbol of love, purity, beauty. It can mean the search for meaning and significance in life, or it may be a statement that it is ready to run the world and tackle the bigger challenges of life. But how you interpret, you can never go wrong with flower butterfly tattoos, they are part of nature and are certainly not out of fashion.The art never goes out of fashion, and it is a beautiful part of who you are.
The Tattooed Poets Project: Chenelle Milford
Posted in
Ink Wizard Tattoos,
Nautical Star,
The Tattooed Poets Project
Posted by
Senkrenk
on Tuesday, April 13, 2010
at
2:39 AM
Our tattooed poet today is Chenelle Milford.
In a first here at the Tattooed Poets Project (and I believe Tattoosday, as well), our photo was taken on the tattooed individual's wedding day:

There's two tattoos visible in this photo: the nautical star and, if you look closely, some letters running vertically on the left side of Chenelle's back.
The nautical star is a popular "classic" tattoo design as it originates in the culture of sailors, who brought the art of tattooing to the attention of European and North American society. Chenelle notes more specifically that the star on her neck represents her home, Northern California and that"it means that I can always find my way home, like a sailor on the open sea".
Chenelle notes that
Please be sure to head over to BillyBlog to check out Chenelle's poem "little Red Riding Hood" here.
Chenelle C. Milford, a native Californian and poet, is the manager, web-designer, consultant, all-around aficionado, and archivist of the Joe Milford Poetry Show. She is the founder and editor of the new literary journal, Scythe. Additionally, she is a film-maker, writer, humanist, and a wonderful wife and mother. Together, Joe and Chenelle Milford are compiling an extensive online sonic archive, a library of archived materials that can be accessed, which share writing and impressive interviews of many of today's established and up-and-coming poets. Some of her work is displayed on New Aesthetic. She now resides in rural Georgia with her husband and two daughters. She is working on college and writing poetry as time permits.
Thanks to Chenelle for her participation in the Tattooed Poets Project!
In a first here at the Tattooed Poets Project (and I believe Tattoosday, as well), our photo was taken on the tattooed individual's wedding day:

There's two tattoos visible in this photo: the nautical star and, if you look closely, some letters running vertically on the left side of Chenelle's back.
The nautical star is a popular "classic" tattoo design as it originates in the culture of sailors, who brought the art of tattooing to the attention of European and North American society. Chenelle notes more specifically that the star on her neck represents her home, Northern California and that"it means that I can always find my way home, like a sailor on the open sea".
Chenelle notes that
"My most meaningful tattoo (although not necessarily the most photogenic) is [on] the shoulder... that reads OLAE 08.Both tattoos were done at Ink Wizard Tattoos, in Griffin, Georgia. She credits an artist named Mike Stout with the nautical star and Gary Hall with the OLAE tattoo.
My best friend had, on her right shoulder, SUMTS 09. When we would stand together, you could read back and forth across the shoulders, and the letters would spell SOULMATES. She died on May 22nd, 2009, in a car wreck at 25 years old, so I am grateful to have that memory of her."
Please be sure to head over to BillyBlog to check out Chenelle's poem "little Red Riding Hood" here.
Chenelle C. Milford, a native Californian and poet, is the manager, web-designer, consultant, all-around aficionado, and archivist of the Joe Milford Poetry Show. She is the founder and editor of the new literary journal, Scythe. Additionally, she is a film-maker, writer, humanist, and a wonderful wife and mother. Together, Joe and Chenelle Milford are compiling an extensive online sonic archive, a library of archived materials that can be accessed, which share writing and impressive interviews of many of today's established and up-and-coming poets. Some of her work is displayed on New Aesthetic. She now resides in rural Georgia with her husband and two daughters. She is working on college and writing poetry as time permits.
Thanks to Chenelle for her participation in the Tattooed Poets Project!
The Tattooed Poets Project: Cathryn Cofell
Today's tattooed poet is Cathryn Cofell.
Cathryn prefaced her tattoo by telling me:
So, Cathryn says,
Thanks to Cathryn for participating in the Tattooed Poets Project!
Cathryn Cofell is the author of five books, most recently Kamikaze Commotion (Parallel Press). She's received 40+ awards for her poetry and essays which also appear in scads of journals and anthologies. She is a zealous advocate for the arts, having served as founding Chair of the Wisconsin Poet Laureate Commission, on the board of the Wisconsin Fellowship of Poets, and currently as Chair of the Verse Wisconsin Advisory Board and a pro-arts voice wherever she'll be heard.
Cathryn prefaced her tattoo by telling me:
"My tiny tattoo pales in comparison to some...Most of my adult life, I've wanted one, but always held back because I either 1) didn't know what I wanted or 2) feared I'd change my mind as soon as it was done (I change my mind as often as a hummingbird's heart beats) or 3) was working for a relatively conservative company."This last concern is one that everyone should consider when getting a tattoo. Not that Tattoosday is an Ink Advice blog, but companies can legally discriminate (and often do) against tattooed individuals, which is something many people do not think about when getting inked. At the time that Cathryn got her tattoo, she "was working for a credit union with a strict 'no visible tattoos policy' and ... was part of the management team that actually wrote that policy". She does point out that she was out-voted by the anti-tattoo contingency.
So, Cathryn says,
"This was the compromise -- small, discreet, but powerful -- and not so discreet that I had to become a pretzel or strip completely naked to see it for myself or show it to others....The poem that Cathryn sent us, seen here on BillyBlog, "came out on the drive home, scribbled on an old napkin".
The symbol I finally chose is one that I wore around my neck as a talisman for many years: the Nile River Goddess, Nathor, who represents strength, triumph, success. I was at one of those turning points in my life -- feeling low and falling lower, needing her and those ideals to be more firmly etched in and on me.
She turned my life around that day. I've thought about another since and probably will some day, but see 1, 2 and 3 above and you'll know why I'm still waiting!
Thanks to Cathryn for participating in the Tattooed Poets Project!
Cathryn Cofell is the author of five books, most recently Kamikaze Commotion (Parallel Press). She's received 40+ awards for her poetry and essays which also appear in scads of journals and anthologies. She is a zealous advocate for the arts, having served as founding Chair of the Wisconsin Poet Laureate Commission, on the board of the Wisconsin Fellowship of Poets, and currently as Chair of the Verse Wisconsin Advisory Board and a pro-arts voice wherever she'll be heard.
The Tattooed Poets Project: Seth Berg
Posted in
leaves,
Live Fast Die Young Tattoos,
Oak leaf,
Trees
Posted by
Senkrenk
on Sunday, April 11, 2010
at
3:25 AM
Today's tattooed poet, Seth Berg, is very tattooed. Not only does he say he is "extensively tattooed," he qualifies such a statement: "over 60 sessions under the needle".
He sent several photos, but the most impressive and, from what I can tell, his most special one is this "mammoth beast" of a tattoo (his words, not mine) on his ribcage:

In case you were wondering, this amazing leaf "goes from [his] pelvic bone to [his] armpit and blankets [his] entire ribcage".
The tattoo is an oak leaf, inked in celebration of his son, Oak, who turns 1 on May 8th.

The tattoo was completed in one six-hour session (with only one break for water and a stretch). The artist was Kat Richards from Live Fast Die Young Tattoos in Northeast Minneapolis.
Seth Michael Berg earned his MFA in poetry from Bowling Green State University in 2003 and has since been bouncing around the country teaching, tending bar, sculpting, writing, and occasionally snowshoeing. His poems and fiction can be found in Connecticut Review, Lake Effect, Word Riot, JMWW, 13th Warrior Review, Chiron Review, BlazeVOX, Pike Magazine, Disappearing City Literary Review, and Dark Sky Magazine, among others. Berg lives in Minneapolis with his photographer wife, Ashley, their supernatural son, Oak, and their twelve-year-old English Bulldog, Bob. When not working, Berg can most likely be found indulging his addiction to hot sauce or slowing down somewhere in a forest.
Check out his poem "Aphasia" over on BillyBlog.
He sent several photos, but the most impressive and, from what I can tell, his most special one is this "mammoth beast" of a tattoo (his words, not mine) on his ribcage:

In case you were wondering, this amazing leaf "goes from [his] pelvic bone to [his] armpit and blankets [his] entire ribcage".
The tattoo is an oak leaf, inked in celebration of his son, Oak, who turns 1 on May 8th.

The tattoo was completed in one six-hour session (with only one break for water and a stretch). The artist was Kat Richards from Live Fast Die Young Tattoos in Northeast Minneapolis.
Seth Michael Berg earned his MFA in poetry from Bowling Green State University in 2003 and has since been bouncing around the country teaching, tending bar, sculpting, writing, and occasionally snowshoeing. His poems and fiction can be found in Connecticut Review, Lake Effect, Word Riot, JMWW, 13th Warrior Review, Chiron Review, BlazeVOX, Pike Magazine, Disappearing City Literary Review, and Dark Sky Magazine, among others. Berg lives in Minneapolis with his photographer wife, Ashley, their supernatural son, Oak, and their twelve-year-old English Bulldog, Bob. When not working, Berg can most likely be found indulging his addiction to hot sauce or slowing down somewhere in a forest.
Check out his poem "Aphasia" over on BillyBlog.
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